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Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know |  | Author: Jennifer Van Sijll
Publisher: Michael Wiese Productions
Category: Book
List Price: $24.95
Buy New: $16.47
as of 3/11/2010 22:07 CST details
You Save: $8.48 (34%)
Seller: Amazon.com
Rating:  reviews
Sales Rank: 3242
Media: Paperback
Pages: 257
Number Of Items: 1
Shipping Weight (lbs): 1.6
Dimensions (in): 11 x 7.4 x 0.6
ISBN: 193290705X
Dewey Decimal Number: 791.430233
EAN: 9781932907056
ASIN: 193290705X
Publication Date: August 1, 2005
Availability: Usually ships in 24 hours
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| Editorial Reviews:
Product Description
What the industry's most succcessful writers and directors have in common is that they have mastered the cinematic conventions specific to the medium.
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| Customer Reviews:
 Great Book, with examples from films. February 14, 2010
Michael A. Gruich (Iowa)
1 out of 1 found this review helpful
Lots of other good reviews on this one (some bad as well). I took a look at it and found it to be very nice.
At under $20.00 it is a lot better than paying for a $150.00 (used) textbook to use in a class.
The basis of the book is giving you industry terms for the types of shots, with definitions and detailed examples from films. It delivers plain and simple, very nice book and written well.
Visual Vocabulary for Writers October 26, 2009
Penny Penniston
OK- this book is basic. But it's brilliantly basic. Buy it and you can skip your first year of film school. If you're an experienced director, you won't find anything new here. But budding directors will find this to be an essential reference guide- a primer on fundamental directing and editing techniques. This book is also essential for the rest of us- writers, producers and actors who need to have a basic understanding of the visual vocabulary of film.
With film stills paired along side script excerpts, Jennifer Van Sijll illustrates 100 different cinematic conventions. Most importantly, she discusses the dramatic value of each convention. She examines not only the "how" of each technique but also the "why" of it. Why is this technique used at this particular moment? In what ways does it enhance the story?
The lessons are crystal clear and efficient. They cover topics such as screen direction, frame composition, shapes within a frame, editing, concepts of time, sound effects, music, scene transitions, camera lenses, camera position, camera motion, lighting, color, props, wardrobe, locations and environment.
While new directors will find this book useful, I think the book's most important lesson is for writers. For writers, this book is a powerful reminder that the language of the script isn't the only language in the film. There is a whole other voice contained in the visual language of the director. This book helps the writer consider the impact of that voice and design his script in such a way that the two voices can work in harmony.
 Basic, but good September 20, 2009
R. Nuttmann (Seattle, WA United States)
This is a well written book, but a bit basic for the more informed movie maker. There were some great ideas I had never considered, but most of it was on the basic concepts side. If you are new to movie making, this is definitely a good book to remind you all the thinks you need to be well versed in. If you've been making movies for a while, you may want something more advanced.
Like having the greatest directors of all time over for dinner September 20, 2009
Tony Levelle (Lower Lake, Ca United States)
2 out of 2 found this review helpful
Reading this book is like having the best filmmakers from the last 100 years stop by your table in a cafe, one by one, to tell you exactly how they achieved their best scenes.
Van Sijll identifies film's most powerful cinematic conventions, and then explains how each is achieved.
First, Van Sijll describes the convention, and how it was used in a classic scene.
Second, the actual script for the scene is reprinted.
Third, the scene is shown in screen captures.
The information flows from left to right in the 'landscape' format book: explanation, script, screen capture. The screen captures are brilliantly chosen shots illustrating the key elements of the scene.
On page 50, for example, Van Sijll describes Montage by analyzing the opening scene in Charlie Kaufman's film, Adaptation. She uses less than 100 words to explain Adaptation's opening montage--images which span 4 1/2 billion years and end with Charlie Kaufman sitting in a restaurant. She then explains the dramatic value of the montage, gives us the original script for the montage (mentioning that it's page 41, scene 62 of the script!), and then shows 5 screen captures with the key shots from the montage. Whew!
I loved the fact that Van Sijll did her homework. She tracked down the exact script excerpt, explained montage clearly and concisely, and then lavishly illustrated the explanation with screen captures. She even went so far as to talk about other films with great montage examples (Apocalypse Now, and Falling Down).
Recommended for filmmakers, film students, documentary filmmakers, film teachers and anyone who loves to watch and talk about film.
The best single book I've seen for explaining how to achieve cinematic effects, and a delight to read.
For someone who loves films, this book is like a huge box of Belgian chocolates... once you've started, how do you stop?
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