|
The Lacuna: A Novel | 
| Author: Barbara Kingsolver Publisher: Harper Category: Book
List Price: $26.99 Buy New: $13.00 as of 3/10/2010 09:32 CST details You Save: $13.99 (52%)
Seller: Amazon.com Rating: reviews Sales Rank: 231
Format: Deckle Edge Media: Hardcover Edition: 1 Pages: 528 Number Of Items: 1 Shipping Weight (lbs): 1.8 Dimensions (in): 9.1 x 6.5 x 1.6
ISBN: 0060852577 Dewey Decimal Number: 813.54 EAN: 9780060852573 ASIN: 0060852577
Publication Date: November 1, 2009 Availability: Usually ships in 24 hours
| |
| Features:
| |
| Editorial Reviews:
Product Description
In her most accomplished novel, Barbara Kingsolver takes us on an epic journey from the Mexico City of artists Diego Rivera and Frida Kahlo to the America of Pearl Harbor, FDR, and J. Edgar Hoover. The Lacuna is a poignant story of a man pulled between two nations as they invent their modern identities. Born in the United States, reared in a series of provisional households in Mexico—from a coastal island jungle to 1930s Mexico City—Harrison Shepherd finds precarious shelter but no sense of home on his thrilling odyssey. Life is whatever he learns from housekeepers who put him to work in the kitchen, errands he runs in the streets, and one fateful day, by mixing plaster for famed Mexican muralist Diego Rivera. He discovers a passion for Aztec history and meets the exotic, imperious artist Frida Kahlo, who will become his lifelong friend. When he goes to work for Lev Trotsky, an exiled political leader fighting for his life, Shepherd inadvertently casts his lot with art and revolution, newspaper headlines and howling gossip, and a risk of terrible violence. Meanwhile, to the north, the United States will soon be caught up in the internationalist goodwill of World War II. There in the land of his birth, Shepherd believes he might remake himself in America's hopeful image and claim a voice of his own. He finds support from an unlikely kindred soul, his stenographer, Mrs. Brown, who will be far more valuable to her employer than he could ever know. Through darkening years, political winds continue to toss him between north and south in a plot that turns many times on the unspeakable breach—the lacuna—between truth and public presumption. With deeply compelling characters, a vivid sense of place, and a clear grasp of how history and public opinion can shape a life, Barbara Kingsolver has created an unforgettable portrait of the artist—and of art itself. The Lacuna is a rich and daring work of literature, establishing its author as one of the most provocative and important of her time.
|
| Customer Reviews:
Kingsolver does it again with the Lacuna March 10, 2010 Peter I. Sucher As the son of a librarian, I have often found myself moving very quickly from book to book simply in order to keep up with the times. One rare occasion where I found myself savoring every page came in Barbara Kingsolver's the Poisonwood Bible. This novel set in both Africa and America tells the tale of a family of women and the harrowing struggles they face both in and following their missionary voyage to the Congo. I found this story to be compelling, educational, beautifully written, and a serious page turner. In fact, since my first reading of this book at the age of 15 I have reread the book twice (considering it's length, and the volume of books I read, this is a feat unto itself).
The Poisonwood Bible led me to explore a bit more of Kingsolver's work in Prodigal Summer. While The Poisonwood Bible followed women and their experience, at no point did I feel as a man that I was reading something that was not geared toward my 'audience'. Unfortunately, although Prodigal Summer incorporated many of Kingsolver's techniques such as her extensive knowledge of the natural world and keen ability to be educational without overbearing, I did not find this book to be of the quality I associate with her writing. I also felt that it was a book that would potentially satisfy a female reader much more than it could myself.
When I heard that Kingsolver had written another another book, I jumped on the chance to read it. I immediately ran to the store and purchased a hard cover copy of the Lacuna. Upon returning home I decided to read the inside jacket of the book... and subsequently put it in my "future" pile. This was a huge oversight I regretfully made due to my general aversion of historical fiction. Once I picked up the book I simply could not stop; I even found myself not bringing the book on the train in order to prolong it!
Overall I would prefer not to give anything away regarding the context of this book. All the reader must know going in is that they are in for a rare pleasure. Not only did this book match my feelings for the Poisonwood Bible, it far surpassed them. Her ability to make significant historical figures jump off the page and become human, describe vivid imagery of Mexico and all the beauty is has to offer, provide unique characterizations that keep you guessing, all work together to create something magical. My only regret is having finished it today, but sadly all good things must come to an end.
Go out, buy this book, read it, and give it the 5 star review it deserves.
Loved the story on CD! March 9, 2010 Bookish Mom (USA) This is my first Kingsolver experience. Really loved hearing the story but not sure how I would have liked reading it. I can see how some might have found it tedious but the author's depiction of the characters was fascinating particularly because I knew she was presenting them as she wrote them, not how some voice actor was interpreting them. Compelling story and much enjoyed!
a great read with one problem March 7, 2010 david peck (laguna beach, ca United States) Barbara Kingsolver is a wonderful writer, and sections of her newest novel are brilliant. The middle scenes in Mexico are especially rewarding, when the central character is working with Diego Rivera, Frida Kahlo, and Lev Trotsky. Kingsolver creates scenes of another country in the 1930s that are as vivid and colorful as anything we can imagine. The novel slows down when Harrison Shepherd returns to the U. S., however, settles in Asheville, NC, becomes a novelist, and begins to be hunted by the F.B.I., leading to his final testimony before HUAC. The problem is that the witch-hunts of the 1940s are parodies themselves, of actual criminal investigations, and Kingsolver's story becomes surreal in its rendering of these events. The ignorance and malice of Nixon, et al. ("This Marlowe, was he a Communist?") are difficult to fictionalize without creating a parody of a parody. The novel is powerful in its breadth and depth, but its final scenes are almost too painful, and humorous, to stomach.
Oh Yes! March 7, 2010 70Randy (VA) I came to this book with some trepidation. I think the author one of the finest and one who helps keep me reading voraciously. I so love her earlier books that I didn't want to be disappointed with the long awaited latest. When I read the blurb, I was not hopeful thinking of her last novel, The Prodigal Summer, which I so thoroughly enjoyed. I thought this new book outside of my areas of interest. I knew of Rivera's murals and something of the Trotsky story and didn't expect that this would keep me interested. Even though while reading the first quarter of the book, I thought I'd not be able to finish it, there were these amazing historical characters whose personas could not be ignored, not to mention Kingsolver's great creations Harrison Shepherd and later Violet Brown. By the end I wished there was more and it was difficult putting the book down.
Give this a try, I think you'll grow into it and come to think of it as another wondrous creation.
|
|
|
CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.
| |