How Fiction Works | 
| Author: James Wood
Publisher: Farrar, Straus and Giroux
Category: Book
List Price: $24.00
Buy New: $16.32
You Save: $7.68 (32%)
New (26) Used (7) from $14.66
Rating:  18 reviews
Sales Rank: 762
Media: Hardcover
Pages: 288
Number Of Items: 1
Shipping Weight (lbs): 0.8
Dimensions (in): 7.6 x 5 x 1.1
ISBN: 0374173400
Dewey Decimal Number: 808.3
EAN: 9780374173401
ASIN: 0374173400
Publication Date: July 22, 2008
Availability: Usually ships in 24 hours
| |
| Also Available In:
|
| Similar Items:
|
| Editorial Reviews:
Amazon.com Review
Amazon Best of the Month, July 2008: The first thing you'll notice about How Fiction Works is its size. At 252 pages, it's a marvel of economy for a book that asks such a huge question and right away you'll want to know (as you might at the start of a new novel) what the author has in store. James Wood takes only his own bookshelves as his literary terrain for this study, and that in itself is the most delightful gift: he joins his audience as a reader, citing his chosen texts judiciously--ranging from Henry James (from whom he takes the best epigraph to a book I've ever read) to Nabokov, Joyce, Updike, and more--to explore not just how fiction works, mechanically speaking, but to reflect on how a novelist's choices make us feel that a novel ultimately works ... or doesn't. Wood remarks that you have to "read enough literature to be taught by it how to read it." His terrific bibliography will surely be a boon to anyone's education, but it's his masterful writing that you'll want to keep reading over the course of your life. --Anne Bartholomew
Product Description
What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.
|
| Customer Reviews: Read 13 more reviews...
 Brilliant little book October 3, 2008
Aman Zed (Los Angeles, CA USA)
1 out of 1 found this review helpful
Breathtaking exposition on the development of the novel over the last few centuries, in particular the "realist" style. Brilliant non-fiction gem about fiction. Opinionated rather than encyclopedic, but a great touchstone for further reading.
The design of the book is particularly inviting--its modest weight, friendly typeface, and wide margins make this book a pleasant evening companion--a book you aren't afraid to ask out on a second date. I plan to re-read it once or twice if I ever get it back.
Bracing, memorable writing. If you want to add another dimension to your appreciation of the novel, this gorgeously edited book is ideal. If, like me, you are a writer of non-fiction, this book is a model.
If, on the other hand, you want cheerleading or technical tips for writing a novel--if you want reinforcement of your personal idea of what's Good in fiction--this book may not be right for you.
 Literary Criticism September 21, 2008
Cynthia Snowden (Placitas, New Mexico)
2 out of 2 found this review helpful
I am enjoying this book, but am not enough of a scholar to give a serious or creditable evaluation. Wood talks about the author's aesthetic distance, and wonders if such a thing is even possible, because all the voices of narration are ultimately the author's voice, and all characters are ultimately aspects of the author as well. He devotes some pages to characters that are either flat, caricatures, or rounded and full. He cites many writers to illustrate, which I enjoy.I haven't finished the book, but I would recommend it to anyone who loves fiction and wants a deeper understanding of the elements that make it either work or not.
 A critic's defense of traditional realism September 18, 2008
Decker F. Walker (Stanford, CA, USA)
2 out of 2 found this review helpful
I had hoped to learn from this book how to read and write fiction better. This is not a good reason to read this book. I learned little. The book is a defense of common literary realism against the attacks of avant garde experimentalists. Wood defends it by interpreting examples drawn from classic traditional novels (Flaubert, Tolstoy,... Bellow, Updike). I found his examples well chosen and expertly interpreted, but if you already understand that good writing involves narration, telling details, vivid characters, sympathy for characters different from you, language that is powerful, economical, and musical, and that literature should give delight as well as truth, you won't learn much. You'll find some great illustrations of writers accomplishing these things well, but if you read fiction, you'll already have your own examples.
 Obviously James Wood has never written a novel September 12, 2008
L. Richards (San Diego, Calif, USA)
3 out of 11 found this review helpful
I bought this book because I am in the process of writing a novel and thought it might be helpful. Uh. Wrooong. Here is my favorite sentence in the 86 pages I managed to get through: "Anyway, one can accept Barthes's stylistic proviso without accepting his epistemological caveat: fictinal reality is indeed made up of such 'effect,' but realism can be an effect and still be true." This guy (near as I was able to ascertain) was writing about using detail to show the passage of time. He attributes deep, meaningful significance to the rat-a-tat scatty groove a writer falls into while creating a sense of place and time. Why the writer said the clock faced the fireplace has almost zero meaning to the writer, but to James Wood, it is profound. No fledgling author can benefit from being coached to step back from the process, which is what Mr. Wood's book attempts to do.
I am closing this book forever at page 86 because it hasn't taught me a single thing. It hasn't opened my eyes in any way. And it certainly has no relationship to the writing process. This is a book on how to be a critic. I live in San Diego. We have a local paper called the Reader. The Reader has a film critic who is so obscure and sneeringly condescending that nobody reads his reviews except to see in what way he ripped apart a favorite film. James Wood's book reads like one of the film critic's columns from the Reader: Remote and disconnected from the topic. Plus, this book is genuinely archaic in both it's style and it's orientation to the medium. If you buy it to learn how to write you will waste your money. Buy Bird by Bird by Anne Lamontt instead. I gave this book one star because they wouldn't let me give it less. NOTE: This the only review I have ever been motivated to write.
Best book on writing fiction ever. September 3, 2008
Desbo (CA)
1 out of 2 found this review helpful
I learnt more about reading and writing fiction from this little wonder than anything else. Its also an opinionated, amusing joy to read.
I leant it to a freind who loves it to, but I cant wait to get it back again.
|
|
|
