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Limelight: A Greenwich Village Photography Gallery and Coffeehouse in the Fifties : A Memoir | 
| Author: Helen Gee Publisher: Univ of New Mexico Pr Category: Book
List Price: $21.95 Buy Used: $10.24 You Save: $11.71 (53%)
New (1) Used (15) Collectible (1) from $10.24
Rating: 4 reviews Sales Rank: 1446162
Media: Paperback Pages: 312 Number Of Items: 1 Shipping Weight (lbs): 1.1 Dimensions (in): 8.8 x 6 x 0.8
ISBN: 0826318177 Dewey Decimal Number: 709 EAN: 9780826318176 ASIN: 0826318177
Publication Date: August 1997 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: Standard used condition.
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| Editorial Reviews:
Amazon.com For seven short years, a coffeehouse in Greenwich Village called Limelight was at the center of the art-photography world. There, owner Helen Gee exhibited the works of such luminaries as Harry Callahan, Bill Brandt, Imogen Cunningham, and Lisette Model at a time when photography was not yet considered an art, and the sticker prices on the prints were a mere fraction of what they'd be today. Limelight is Gee's memoir, a story about the coffeehouse she started, the people she knew, and the times in which she lived. Even without the coffeehouse, Gee's life is like something out of a novel: at age 16 she left home to live in Greenwich Village with a Chinese painter named Yun Gee. The late '30s and early '40s were hardly a time of racial tolerance in the United States, and so their romance was disliked as much for its interracial nature as for the age difference between the two lovers. After the birth of their daughter, Yun Gee developed schizophrenia, leaving Helen to fend for herself and her child. She did this in a variety of ways before finally hitting on the idea of opening a coffeehouse. In Limelight Gee describes the obstacles she faced in starting the place, the people she met while running it, and the eventual problems--both political and personal--that brought Limelight down. This memoir is both Gee's story and the story of the art community in 1950s, both of which are worth telling.
Book Description In the late 1950s, Limelight was the busiest coffeehouse in New York and the only photography gallery in the country. This is the story of Helen Gee's efforts to open Limelight and her fight to keep it afloat for seven years. The major figures in photography appear in this story--Edward Steichen, Robert Frank, W. Eugene Smith, Berenice Abbott, and others--and so do the big photographic events of the period: the opening of The Family of Man, the publication of The Americans. Gee has her own personal stories as well: raising her Asian American daughter alone, dealing with a landlord with underworld ties and bookies who did business in the hall of her apartment house, and coping with unwelcome advances, quixotic employees, and suicidal photographers. This is also a portrait of a time when Greenwich Village was a center of creative activity, when actors, writers, painters, and photographers were part of a burgeoning coffeehouse scene. Photography as an art form was coming into its own, and Limelight Gallery made history with some seventy shows. The story of its seven years is amusing and heart-breaking, exciting and surprisingly full of adventure.
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| Customer Reviews:
A Wonderful Memory of A Long Lost Photography Gallery May 12, 2001 John Kwok (New York, NY USA) 3 out of 3 found this review helpful
A few years ago I had the pleasure of meeting Helen Gee when she gave a talk before a New York City camera club. I greatly enjoyed both her great sense of humor and knowledge of photography, including its history. All of these are on display in her memoir. Although Helen Gee is not a great stylist, she tells her story in an engaging, conversational style. You share in her numerous disappointments and triumphs, as she struggles to survive as a young single mother, intent on pursuing a career in photography. The book is filled with humorous anecdotes about famous photographers such as Edward Steichen, Lisette Model, Robert Frank, and her problems with greedy landlords and petty gangsters. Anyone who wants an excellent view of life in Manhattan in the 1940's and 1950's as well as a glimpse into an important period in American photography will find this book quite captivating.
WoW!! This book has changed my life! February 7, 2001 Angie Harper (Fort Worth Texas) 2 out of 3 found this review helpful
That's a pretty strong statement right? But it is true. This book and the woman who wrote it is simply extraordinary. The time in which she opened the Limelight was not a time that was easy for women in the world of Photography, or even the world in general. She started a business from the ground up and set an example for future generations of women photographers and small business owners. I highly recommend this book to lovers of Photography. She has intimate knowledge of some of the "Masters of Photography". The best part of the book is sadly the end of it, and the last exhibit of the seven years that the Limelight was in business. Her last show was a collection of prints by the Victorian age Female Photographer, Julia Margaret Cameron. A woman who was also an inspiration. I am so inspired by this book and great woman, that I am considering opening up a small Photo Gallery.
Grab a cup of coffee, sit back and enjoy... April 12, 2000 Pamela Paulien (El Escorial, Spain) 3 out of 3 found this review helpful
This book is a fascinating memoir of a self-made woman with an original story. Her life comes through honestly while she tells an important story of the photography scene in NY in the 1950s. For anyone interested in Photography this book is like gossiping over a cup of coffee. I really enjoyed it and read it in a couple of sittings. What Helen Gee did was important and it has been overlooked by photographic historians. She has included a very useful (and impressive) list of exhibitions held at Limelight in the back of the book. It is published by The University of New Mexico Press which is doing a wonderful job of providing the most interesting books on photography.
Intriguing business vision realized by single ma in the 50s May 30, 1998 Noirin Kinnevy (West Creek, New Jersey USA) 3 out of 3 found this review helpful
Even though I missed the heydey of lower Manhattan by about 20 years, the concept of The Limelight intrigued me. Reading Helen Gee's story did not leave me disappointed. As a former single mom, I admire Gee's gumption and resourcefulness in realizing a dream while still keeping the homefires burning, especially during the 1950s. Possibly, without realizing it, Gee also provides the reader with a realistic account of the trials of starting a new business. As a genre, biographies can often fall into boring soliloquys, hero worship, cattiness and/or sometimes, out & out lies. The two things I liked most are Gee's sense of humor and the conversational style she takes with the reader.
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